Saturday, February 26, 2022

Aert van der Neer - Night Landscape with a River, c. 1650

 

 Aert van der Neer - Night Landscape with a River, c. 1650

Isaac Levitan - Moonlit night. A great way, 1898

Isaac Levitan - Moonlit night. A great way, 1898



Katsushika Hokusai - Moonlight on the Yodo River (Yodogawa), from the series Snow, Moon and Flowers (Setsugekka), 1833

 

Katsushika Hokusai - Moonlight on the Yodo River (Yodogawa), from the series Snow, Moon and Flowers (Setsugekka), 1833

Kawase Hasui - Moon over the Ara River, Akabane, from the series Twenty Views of Tokyo (Tokyo nijukei, Arakawa no tsuki (Akabane)), 1929

 

Kawase Hasui - Moon over the Ara River, Akabane, from the series  Twenty Views of Tokyo (Tokyo nijukei, Arakawa no tsuki (Akabane)), 1929

Kawase Hasui - Moon over Lakeside (Kohan no tsuki), 1935

 

Kawase Hasui - Moon over Lakeside (Kohan no tsuki), 1935

Kawase Hasui - Moon over Kiyosumi Garden, 1938

 

Kawase Hasui - Moon over Kiyosumi Garden, 1938

Karl Friedrich Hampe - Knights castle in moonlight, 1817

 

Karl Friedrich Hampe - Knights castle in moonlight, 1817

Jean Delville (Belgian, 1867-1953)- Le Lac au Clair de Lune

 

Jean Delville (Belgian, 1867-1953)-  Le Lac au Clair de Lune

Henry Farrer - Winter Scene in Moonlight, 1869

 

Henry Farrer - Winter Scene in Moonlight, 1869

English-born Henry Farrer was the brother of Thomas C. Farrer, the principal founder of the Society for the Advancement of Truth in Art, which represented the Pre-Raphaelite movement in America. Unlike his brother, who studied drawing with John Ruskin in London, Henry was probably self-taught, beginning in the early 1860s to produce painstakingly wrought still lifes and landscapes in watercolor. He exhibited them regularly at the American Watercolor Society, which he helped to found. 

"Winter Scene in Moonlight," Farrer's earliest known watercolor landscape, probably represents a site in Brooklyn, where he lived most of his life. The picture's prosaic terrain and precise technique reveal the young artist's early adherence to Pre-Raphaelite ideals, while its faint primitivism betrays the earnest autodidact that he was. Because of that quality, as well as its chill nocturnal setting and subtle asymmetry of composition, the image anticipates the disturbing tenor of twentieth-century Surrealist landscapes.

Hendrik Gerrit ten Cate (1803–1856) - Village Fair by night

 

Hendrik Gerrit ten Cate  (1803–1856) - Village Fair by night

William Miller after Francis Danby - Fairies on the Seashore, 1833

William Miller after Francis Danby - :Fairies on the Seashore, 1833


Albert Rieger - A Moonlit Night over a Chapel and Riders, 1905

 

Albert Rieger - A Moonlit Night over a Chapel and Riders, 1905

Albert Pinkham Ryder - The Toilers of the Sea, 1880-85

 

Albert Pinkham Ryder - The Toilers of the Sea, 1880-85

Ryder probably either selected or approved the title of this painting, which relates it to Victor Hugo’s famous 1866 novel of the same name (Les travailleurs de la mer, in the original French). The painting could illustrate any one of several scenes in that novel, which features a fisherman character whose personality and attitudes resemble Ryder’s own. The surface has changed and suffered over the years; still, as with most of Ryder’s works, the composition conveys the artist’s vision of the mystical relationship between people and nature.

Joseph Wright of Derby (1734–1797) - A Lake by Moonlight

 

Joseph Wright of Derby (1734–1797) - A Lake by Moonlight