Saturday, April 2, 2022

Thomas Moran - Moonlight Seascape

 

Thomas Moran - Moonlight Seascape

Petrus van Schendel - A River Landscape in Silver Moonlight

 

Petrus van Schendel - A River Landscape in Silver Moonlight

Sir Edwin Landseer - A Midsummer Night's Dream, 1857

 

Sir Edwin Landseer - A Midsummer Night's Dream, 1857

Sebastian Pether (1790-1844) (attributed to) - A Moonlit Bay, with Boatmen, Seen through a Wooded Glade

 

Sebastian Pether (1790-1844) (attributed to) - A Moonlit Bay, with Boatmen, Seen through a Wooded Glade

Jean-Baptiste Camille Corot - Paysage au clair de lune, 1874

 

Jean-Baptiste Camille Corot - Paysage au clair de lune, 1874

Ohara Koson - Blossoming cherry on a Moonlit Night, 1932

 

Ohara Koson - Blossoming cherry on a Moonlit Night, 1932





Ohara Koson - Grouchy Rabbits, 1930s

 

Ohara Koson - Grouchy Rabbits, 1930s

Ohara Koson - Flying owl, 1926

 

Ohara Koson - Flying owl, 1926

Jan Steen - Night Serenade, 1675

 

Jan Steen - Night Serenade, 1675

Aert van der Neer - A Moonlit Landscape with Ruins, 1670

 

Aert van der Neer - A Moonlit Landscape with Ruins, 1670

Aert van der Neer - A Canal by Moonlight, 1660

Aert van der Neer - A Canal by Moonlight, 1660



Tsukioka Yoshitoshi - Murasaki Shikibu at Ishiyamadera Temple, based on the print The Moon at Ishiyama, from the series One Hundred Aspects of the Moon (Tsuki hyakushi- Ishiyama no tsuki) ca. 1892

 

Tsukioka Yoshitoshi - Murasaki Shikibu at Ishiyamadera Temple, based on the print The Moon at Ishiyama, from the series One Hundred Aspects of the Moon (Tsuki hyakushi- Ishiyama no tsuki) ca. 1892  

To create the compendium of one hundred images of famous moonlit scenes that inspired his print series, Tsukioka Yoshitoshi combed literature and legend for inspiration. The scene of Murasaki at her desk, about to begin writing her monumental tale, was an obvious choice, having been depicted by artists of every school. His painted rendition of the setting, however, diverges from the usual one. Rather than show a view of Lake Biwa, he depicted the outcrops of wollastonite stone surrounding Ishiyamadera (Stony Mountain Temple). From the main hall of the temple, there actually is no direct vista of the lake or vantage point with such craggy features, but the references are clear.

Kawase Hasui - Morning in Beppu (Beppu no asa), from the series Souvenirs of Travel, Third Series, 1928

 

Kawase Hasui - Morning in Beppu (Beppu no asa), from the series Souvenirs of Travel, Third Series, 1928

Kitagawa Utamaro - Moon-Viewing Party, from the illustrated book Picture Book Flowers of the Four Seasons (Ehon shiki no hana) vol. 2 New Year, 1801

 

 Kitagawa Utamaro - Moon-Viewing Party, from the illustrated book Picture Book Flowers of the Four Seasons (Ehon shiki no hana) vol. 2 New Year, 1801 

Ippolito Caffi - Marketplace in Venice by Moonlight

 

Ippolito Caffi -  Marketplace in Venice by Moonlight

Ippolito Caffi - Venice, View of the Molo looking West towards La Salute, 1850

 

Ippolito Caffi - Venice, View of the Molo looking West towards La Salute, 1850

While the legacy of the great Venetian master Canaletto (1697–1768) is amply displayed in Caffi's work, as is evident in this beautiful homage to eighteenth-century view painting, Caffi's distinct contribution was to modernize the genre by selecting novel viewpoints and capturing different times of day and night. Here, in sharp perspective, Caffi has rendered the Molo, looking west, with the pinkish façade of the Ducal Palace on the right; towards the center, the two columns and the entrance to the Piazzetta; and beyond, the Library, its ground-floor arcades softly lit; on the left, across the water, silhouetted against the moonlit sky are the Dogana and the domes and bell towers of the Basilica of Santa Maria della Salute. Animated with figures and small craft moored along the quay, this atmospheric painting encompasses many of Venice’s most important landmarks to create a remarkable view of the city.