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| Joan Brull i Vinyoles (1863-1912) - Paisatge amb figures oil on canvas, 128 x 79 cm |
Saturday, September 23, 2023
Piet Mondriaan - Oostzijdse Mill along the River Gein by Moonlight, 1903
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| Piet Mondriaan - Oostzijdse Mill along the River Gein by Moonlight, 1903 oil on canvas, 63cm × 75.4cm Rijksmuseum |
This landscape clearly reveals how indebted Mondrian was to the Hague School as a young artist. A few years earlier, he had copied Paul Gabriël’s In the Month of July in the Rijksmuseum (on view in this gallery). Although the compositions resemble each other, the general impression in each case is entirely different. Mondrian modified the lines and colours in order to create a non-realistic, decorative painting.
Diyarbakirli Tahsin - On high seas, by moonlight, 1919
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| Diyarbakirli Tahsin - On high seas, by moonlight, 1919 oil on canvas, 36.5 x 46.5 cm. (14.4 x 18.3 in.) |
Andreas Achenbach - Norwegian Coast by Moonlight, 1848
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| Andreas Achenbach - Norwegian Coast by Moonlight, 1848 oil on canvas, 26.3 cm (10.3 in) x 36.8 cm (14.5 in) Crocker Art Museum |
Andreas Achenbach, the son of a successful merchant in Kassel, enjoyed the support of his family, who sent him to study at the Düsseldorf Academy at the age of 12. Working under Wilhelm von Schadow, Achenbach showed such talent that his father took him on his travels to the Netherlands and the Baltic states in 1832–33. In the Netherlands, he was exposed to 17th-century landscape painting, which reinforced his German training in the subject, while the Latvian coast inspired his later interest in marine painting.
In 1835, Achenbach went to Munich to study under the painter Louis Gurlitt, who turned the young artist’s attention to the realistic current then gaining popularity. He traveled widely throughout Europe in the late 1830s and 1840s, from Norway to Southern Italy as well as through the Bavarian and Austrian Alps. He settled in Düsseldorf in 1846 and became a leader in the city’s artistic life, both in arts organizations such as the Malkasten and as a teacher. In this painting, which dates from Achenbach’s early maturity, the memory of his trip to the North Sea coast of Scandinavia is still fresh.
The churning drama of the waves and the foreground shipwreck reflect a heightened emotion that belie the artist’s realist training in Munich. The birds flying through the storm contrast with humanity’s helplessness in the face of nature. via
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Kitagawa Utamaro - Moon-Mad Monk, 1789
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| Kitagawa Utamaro - Moon-Mad Monk, 1789 Woodblock printed book; ink, color, and brass dust on paper, 10 1/16 × 7 1/2 in. (25.5 × 19 cm) The Metropolitan Museum of Art |
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Julius Albert Elsasser - Moonlit Landscape with a Monk Walking near a Palace, 1852
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| Julius Albert Elsasser - Moonlit Landscape with a Monk Walking near a Palace, 1852 brown wax with scratching out on wove paper, 32 × 23.1 cm (12 5/8 × 9 1/8 in.) National Gallery of Art |
Petrus van Schendel (Dutch, 1806-1870) - Moonlit landscape
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| Petrus van Schendel (Dutch, 1806-1870) - Moonlit landscape oil on canvas, 47.5 cm (18.7 in) x 74 cm (29.1 in) National Museum in Warsaw |
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Arvid Johansson (Swedish, 1862-1923) - Moonlit Harbour
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| Arvid Johansson - Moonlit Harbour oil on board, 121 x 160cm (47 5/8 x 63in) |
William Trost Richards - Moonlight on Mount Lafayette New Hampshire, 1873
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| William Trost Richards - Moonlight on Mount Lafayette New Hampshire, 1873 Watercolor, gouache, and graphite on gray-green wove paper, 8 1/2 x 14 3/16 in. (21.6 x 36 cm) The Metropolitan Museum of Art |
This watercolor is one of scores that Richards painted for the Reverend Elias Magoon, a collector and writer on American scenery. In 1880, Magoon donated many of them to the Metropolitan Museum to create a Richards Gallery on the model of the Turner Gallery in London. Richards, a native of Philadelphia and a disciple of the American Pre-Raphaelite movement in the 1860s, painted the watercolor equivalents of Hudson River School oil landscapes of scenery ranging from the English and Irish coasts to the Atlantic shoreline from Massachusetts to New Jersey, and from the hills of southern Pennsylvania to the White Mountains of New Hampshire, Magoon's home state. The artist, the cleric, and their wives vacationed together in the White Mountains in the summer before this watercolor was painted. via
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Thomas B. Griffin - Moonlight on the Delaware River, ca. 1896-1915
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| Thomas B. Griffin - Moonlight on the Delaware River, ca. 1896-1915 oil on canvas, 29 15/16 x 40 1/16 in. (76 x 101.8 cm) Brooklyn Museum |
Joseph Mallord William Turner - Moonlight at Sea (The Needles), c. 1818
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| Joseph Mallord William Turner - Moonlight at Sea (The Needles), c. 1818 watercolour on paper, 209 × 276 mm Tate Britain |
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