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| Louis Wain: Pirate Pussies, 1901 |
Tuesday, June 30, 2026
Louis Wain: If Only Big Things were little and little things were Big
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| Louis Wain: If Only Big Things were little and little things were Big watercolour and gouache on paper, 28 x 38 cm |
Louis Wain: A Night Out, circa 1905
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| Louis Wain: A Night Out, circa 1905 gouache on paper, 15.5 × 24 cm |
Monday, May 25, 2026
Hans Baluschek: Illustration for Peterchen’s Trip to the Moon, 1920
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| Hans Baluschek: Illustration for Peterchen’s Trip to the Moon, 1920 |
Little Peter's Journey to the Moon is a fairy tale written by Gerdt von Bassewitz. It was first appeared in 1915 as a storybook for children with illustrations by Hans Baluschek. It is the story of Little Peter and his sister Anneli, who help a May beetle named Mr. Zoomzeman to get back his missing sixth leg from the Moon. After a fantastic and dangerous overnight adventure they recover the leg and are returned to their beds at home.
Pierre Puvis de Chavannes: Sleep, 1867-70
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| Pierre Puvis de Chavannes: Sleep, 1867-70 oil on canvas, 66,4 x 106 cm The Metropolitan Museum of Art |
This is a smaller replica of an 1867 painting (Palais des Beaux-Arts de Lille) that Puvis regarded as his "favorite work." He associated the composition with a fragment from the Aeneid by the ancient Roman poet Virgil: "It was the hour when the first rest of weary mortals begins" (book 2, line 268). The text refers to a brief (and illusory) respite from war, but Puvis portrays untroubled repose after harvesting. By depicting sleepers of all ages, ranging from an old man to a mother cradling her baby, the artist creates an image of communal rest and protection.
Pierre Puvis de Chavannes: Au clair de lune, 1885
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| Pierre Puvis de Chavannes: Au clair de lune, 1885 oil on canvas, 46 x 38,1 cm |
Despite its title, the painting Au Clair de la Lune, French for By the Light of the Moon, does not show the moon at all. Instead, the celestial body is evident through its reflection on a distant lake and in the soft sheen on the face of a woman who leans against freshly cut sheaves of summer hay. This ethereal-looking woman seems immersed in contemplation as she drapes her arm languidly over the hay and turns toward the unseen moon. Au Clair de la Lune is a mural study by the 19th-century French artist Pierre Puvis de Chavannes.
Puvis used soft colors laid out in smudgy planes that suggest forms rather than clearly defining them. Puvis painted in this style so that his art would harmonize with the walls it adorned. Thus, he made his figures flat and selected his colors to match the stone of the wall. The pale, golden tones of this study suggest that the finished artwork was meant for a warmly colored wall. The painting serves as an allegory for the summer harvest season—the woman in classical garb lounges on a newly mown haystack as she considers the fleeting beauty of a summer moon. via
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Saturday, March 7, 2026
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Howard Pyle - Fast Flew the Black Winged Horse, from The Garden Behind the Moon, 1895
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| Howard Pyle - Fast Flew the Black Winged Horse, from The Garden Behind the Moon by Howard Pyle, 1895 |
Peter Nicolai Arbo - The wild Hunt of Odin, 1872
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| Peter Nicolai Arbo - The wild Hunt of Odin, 1872 oil on canvas, 166 cm × 240.5 cm National Museum of Art, Architecture and Design, Oslo |
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Saturday, August 23, 2025
Jules Breton - The Weeders, 1868
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| Jules Breton - The Weeders, 1868 oil on canvas, 71.4 x 127.6 cm The Metropolitan Museum of Art |
This is a smaller variant of a composition Breton painted in 1860 (Joslyn Art Museum, Omaha) and exhibited to wide acclaim at the Salon of 1861 and the World’s Fair of 1867 in Paris. In his autobiography, Breton described this twilight scene of peasants pulling up thistles and weeds—"their faces haloed by the pink transparency of their violet hoods, as if to venerate a fecundating star"—noting that he had discovered the subject as a "finished picture" near his native village, Courrières, in northern France.
Nils Jakob Olsson Blommér - The Water-Sprite and Ägir’s Daughters, 1850
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| Nils Jakob Olsson Blommér - The Water-Sprite and Ägir’s Daughters, 1850 oil on canvas, 114 cm x 147 cm Nationalmuseum Stockholm |
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Kobayashi Kiyochika - The Taro Inari Shrine In The Rice Fields At Asakusa, 1877 - 1882
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| Kobayashi Kiyochika - The Taro Inari Shrine In The Rice Fields At Asakusa, 1877 - 1882 woodblock print, 20.16 × 31.75 cm Los Angeles County Museum of Art |
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