Sunday, December 17, 2023

Lowell Birge Harrison (1854-1929) - Ocean nocturne

 

Lowell Birge Harrison (1854-1929) - Ocean nocturne

John Moore of Ipswich - Lindisfarne Castle and Abbey, Holy Island, by Moonlight, 1877

 

John Moore of Ipswich - Lindisfarne Castle and Abbey, Holy Island, by Moonlight, 1877
oil on canvas, 101.6 cm (40 in) x 127 cm (50 in)
National Trust


Alexandre Calame - Winter, 1851

 

Alexandre Calame - Winter, 1851

John Moore of Ipswich - Moonlit River Landscape, c.1850–c.1902

 

John Moore of Ipswich - Moonlit River Landscape, c.1850–c.1902
oil on canvas, 25 x 38 cm
Colchester and Ipswich Museums Service: Ipswich Borough Council Collection

John Moore of Ipswich - Moonlit Landscape, c.1850–c.1902

 

John Moore of Ipswich - Moonlit Landscape, c.1850–c.1902
oil on panel, 34 x 25 cm
Colchester and Ipswich Museums Service: Ipswich Borough Council Collection

Ralph Albert Blakelock - Moonlight, ca. 1885-1889

 

Ralph Albert Blakelock - Moonlight, ca. 1885-1889
oil on canvas,  27 1/16 x 32 in. (68.7 x 81.3 cm)
Brooklyn Museum

Ralph Albert Blakelock’s wide-ranging tours of the American West in 1869 and 1871 inspired him to paint Native subjects for many years. He was among the first painters to depart from a “documentary” treatment of Native Americans, choosing instead to describe them in vaguely readable groups set in dark and moody moonlit settings. This approach immediately marked his landscape settings as American but left the story line up to the active imaginations of his late nineteenth-century American audience. 

Birge Harrison (1854–1929) - Moonlit landscape

 

Birge Harrison (1854–1929) - Moonlit landscape
oil on canvas, 22 x 18 in. (55.9 x 45.7 cm.)

Birge Harrison - Clair de lune sur la rivière, 1914

 

Birge Harrison - Clair de lune sur la rivière, 1914
oil on canvas, 71 x 64 cm
Musée d'Orsay

Charles Rollo Peters - Nocturne, c. 1925

 

Charles Rollo Peters - Nocturne, c. 1925

Bruce Crane - May Moon, 1907

 

Bruce Crane - May Moon, 1907